Partner Profile: Sarah Morrau

Morrau performs at an outdoor house concert on June 17 for a Celebration of Women and Their Music REVISITED performance.

Healing, helping, and hope summarize the life of singer-songwriter Sarah Morrau

By day, Sarah is a needs assessment counselor at Prairie St. John’s, where she has worked for the past fifteen years. 

“It’s good, meaningful work. I love that I get to help people get the help they need, my coworkers and I have so much fun, it’s such a good fit for me,” Sarah said. 

Evenings and weekends have seen her performing in a variety of venues from the Cork N’ Cleaver and Red River Zoo, to appearing on Prairie Public with Rebekka DeVries, who she has partnered with for more than 25 years. 

Healing through music

Whether performing jazz, pop, folk or traditional hymns, Sarah brings a spiritual quality to each song. 

“I believe in the healing power of music,” Sarah says simply. “You can use your voice and the vibrations to be soft, gentle, and nurturing, or belt it out. I think it’s important to sing with intention.”

Helping others

Choosing music with the intention of helping others is something she has long practiced at. 

“I love singing at funerals,” she said. “It’s so meaningful to bring music to a service where people are honoring someone and be able to be part of that. The music is so powerful and healing.”

Whether performing in front of a crowd or at more intimate venues, choosing music for her classes as a yoga instructor at the YMCA, or picking out music as the Contemporary Worship Leader at Olivet Lutheran Church, healing and hope are the driving forces behind her musical endeavors. 

Morrau has been a certified yoga instructor for years at Fercho YMCA in downtown Fargo where she provides classes to athletes of all ages and abilities. It’s also another chance for her to use music to enhance the healing process. “I love being at YMCA and love the connection with the people in the class. Mental, physical, and spiritual health combine with yoga, and the music can help create a sense of peace.” 

On motherhood, mothers and beating breast cancer

For Sarah, her children are also a strong influence in her personal life. As a single parent of three — Katie, Carter and Jack — she said she’s learned a lot about caring for others.  

“Parenthood is intense and it’s a blur. But all three have grown into good people,” Moreau said.

Then, when she was 49, Morrau was diagnosed with breast cancer, around the same time her own mother’s health continued to decline.

“I was forty-nine when I was diagnosed, and had chemo, surgery, radiation and medication, and through all that I felt the loss of my mother so deeply and still do,” she said.

What helped her through? Song.

“Music is self-healing, too,” Moreau said. “I recorded an a cappella version of ‘Speed, Bonnie Boat,’ which my mom used to sing to us. And I wrote an original song, ‘Light’, about her. How one internalizes the voice or spirit of someone that’s died, and they are still there for you, and can still let you know it’s all right.”

Personal or professional, large endeavors or small, Sarah is always striving to use her various talents to seek out opportunities to both help and heal.

Morrau lost her mother Barbara Crow in February 2021, a woman who deeply influenced her own work. Barbara was a writer and poet, a classical and jazz programmer/announcer as well as an administrative assistant at the North Dakota Museum of Art.

Here’s more about Sarah Morrau.

Q: What is your song writing process like?

A: Sometimes I will literally wake up with a line in my head, a kind of a ditty. Often, I have all these little snippets of things and sometimes I put them together and they work. A lot of times I don’t remember them, so I’ve tried to get in the habit of trying to record when sit at the piano and play. I have always played a little piano, and when I write, it’s just me playing a little bit by ear. More often the words come for me first: a phrase, a word, in the past some things come out of journaling. It’s only recently I have started to identify myself as a songwriter. It doesn’t come naturally to me, it’s more work for me than other musicians that I know. Although, I feel like I only have a handful of original songs, but then I go back and look at old journals and think I may have more than I think I do. 

Q: Can you share a little about your performing partnership Rebekka DeVries?

A: Rebekka and I have been playing together for twenty-five years. We have this cool dynamic that happens when we play together. We play off each other, and get this great energy. Whether it is fun and playful at the Cork N’ Cleaver, or doing a noon holiday concert at the Plains Art Museum where it feels almost sacred, we feel each other, we’ve got this synergy, we’re in sync. I’ll get chills or tearful with what is happening with the songs when we play, and other people feel it, too. We’ve had that dynamic forever. 

Q: What is something that would surprise people to know about you?

A: I used to have performance anxiety. As a little kid, I loved microphones, and I had a little tape recorder, and my sister and I would make up musicals. My mom was from New Zealand, so we lived there a couple years when we were young and had British accents. I always loved singing in the microphone and performing. I developed performance anxiety in high school. I was sick to my stomach, my legs shaking, and it was so much stress I thought I wouldn’t be able to sing in public anymore. I also had it giving speeches in college. With a combination of performing in public more often, therapy, and voice lessons, I was able to get past it. It’s hard to imagine that now, because I feel so far from that. I encourage anybody to find somebody to talk to if they need to. Mental health is so important. 

Q: What book has influenced your work?

A: Julia Cameron’s The Artist’s Way book. It really encourages the reader to do artist pages—it’s writing, writing, writing, getting it all out of yourself, which allows you to sort through all distractions to get to the nugget of what really needs to come out. I think it is a good idea, and I do journal, because it’s like life. It’s akin to meditation, because until you sit down, you don’t know what’s really going on in your heart. I can be so busy, I don’t really allow myself to sit and just feel. So it’s good practice. 

Q: Is there a local artist you particularly admire?

A: Deb Jenkins, creator of Celebration of Women and Their Music, has been a huge mentor in my life in a lot of ways. One of the biggest things I’ve learned from Deb is that we as artists, especially women musicians, don’t have to be in competition with each other. Whether it is in choirs growing up, or auditions, there can be this competitive aspect to music, and to art in general. Deb promotes the understanding that you have your own individual thing to bring to your music that no one else is going have, whether you’re interpreting someone else’s song or writing your own, that is unique and will appeal to different people.

About the Author

TAP partner and community content contributor Brandi Malarkey is a multi-disciplinary artist, writer, administrator, and occasional hot mess. She is a collector of dead bugs and good books, and a believer that ordinary miracles and small kindnesses have the power to change the world. Learn more about Brandi on her website:




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Tania Blanich is the Arts Partnership’s Director of Operations


Tania Blanich - Director of Operations - The Arts Partnership